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New York cabaret trailblazer Salty Brine delivers the latest chapter in his collage-cabaret cult-hit Living Record Collection with a bravura mash-up of high drama, indie rock and memoir.
Bigmouth Strikes Again is a fever-dream fusion of The Smiths 1981 album The Queen Is Dead, Shelley’s Frankenstein, and his own lived experience – this is literature and live music with great lashes of camp.
Pussy-bowed, frocked up and unleashing his incredible voice, Salty’s idiosyncratic tapestries of storytelling intertwine tales from his own life with Victor Frankenstein’s chilling creation – and Morrissey's own melodic melancholy.
From sold-out runs at Joe’s Pub (NYC) to Soho Theatre (London), Salty Brine’s genre-bending shows dazzle and disarm. He’s taken on Adele, The Beatles, even opera – now, he welds post-punk anthems to classic literature and sparks something new. It's alive!
THEATRE AND TONIC
THE STAGE
EVENING STANDARD
THE GUARDIAN
TIME OUT NEW YORK
Salty Brine is a New York-based cabaret artist, playwright and actor. He is the creative force behind The Living Record Collection, a series of cabaret performances which weave together iconic, popular albums with cultural touchstones from classic literature to history and beyond. The LRC contains twenty-one shows and counting. The Guardian says Salty is, “a storyteller in total command of voice, a cocked eyebrow and his audience”. Salty has presented works at Lincoln Center, Pangea, Soho Theater and at his artistic home, Joe’s Pub at the Public Theatre. He is the recipient of a Bistro Award for outstanding creative artistry, was a member of the Joe’s Pub Working Group (2020) and was named one of Time Out New York’s “LGBTQ influencers you should know”. As book writer Salty is in collaboration with world-renowned composer Alan Menken on the sci-fi musical ATINA: EVIL QUEEN OF THE GALAXY.
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