About Sydney Festival
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There’s a warm breeze floating in through the window and it’s carrying the sound of music, laughter and thunderous applause. It’s carrying the salty smell of the harbour, and of freshly cut, picnic-ready lawns.
Summer’s in the air – and Sydney Festival is here to seize the moment.
Embracing the art of summer since 1977, the Festival has a stellar legacy of drawing the finest artists in the world to Sydney, and introducing the country's finest to the world.
Many of Australia’s most memorable productions have resulted from Sydney Festival commissions and premieres, including Cloudstreet (1998), Black Chicks Talking (2003), Three Furies (2005), uniquely Australian musical The Adventures of Snugglepot & Cuddlepie and Little Ragged Blossom (2007), the outrageous cabaret Smoke and Mirrors (2010), The Secret River (2013), Black Diggers (2014), contemporary circus ensemble Circa’s Humans (2017), multi-award-winner Counting and Cracking (2019) and BLACK TIES (2020).
We're proud to have hosted major Australian musicians, performers and comedians including Nick Cave and the Bad Seeds, Archie Roach, Ruby Hunter, Gotye, Regurgitator, Emma Donovan, Tex Perkins, Megan Washington, Meow Meow, Christa Hughes, Yana Alana and Celia Pacquola.
World-leading artists and companies that have shared work with Sydney Festival audiences in recent years include Lars Jan and Early Morning Opera’s Joan Didion’s The White Album, performance artist Bryrony Kimmings’ I’m A Phoenix, Bitch, and choral choir Tenebrae (2020); Schaubühne Berlin and Complicité’s Beware of Pity, Ethiopian legend Mulatu Astatke, Neneh Cherry, and American artist Nick Cave’s epic exhibition UNTIL (2019); Wayne McGregor, Olafur Eliasson and Jamie xx’s ballet collaboration Tree of Codes, National Theatre’s Barber Shop Chronicles, The Wooster Group’s The Town Hall Affair, Pussy Riot Theatre’s RIOT DAYS, and DryWrite and Soho Theatre’s hit Fleabag (2018); Complicité’s The Encounter, Cheek By Jowl with Pushkin Theatre’s Measure For Measure (2017); James Thierry’s Tabac Rouge (2015); Sasha Waltz’s underwater dance opera Dido and Aeneas (2014); and Ludger Engels and Vivienne Westwood’s Baroque-punk Semele Walk (2013).
These works join a long roster and legacy of extraordinary work and artists including: Ariane Mnouchkine and Thèâtre du Soleil (Flood Drummers); Robert Wilson (The Black Rider); Robert Lepage (Far Side of the Moon, The Andersen Project, Lipsynch); Nederlands Dans Theater; Philip Glass; Ian McKellen (Dance of Death); Batsheva Dance Company; National Theatre of Scotland (Beautiful Burnout, Black Watch, Aalst); Al Green; Chaka Khan; Andrew Weatherall; AR Rahman; Angélique Kidjo; Kneehigh Theatre (Tristan & Yseult, The Red Shoes); and Fabulous Beast (Rian).
For more information on Sydney Festival down the years, visit our archive.
History
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Sydney Festival was conceived by the Sydney Committee, the NSW State Government and the City of Sydney to attract Sydneysiders into the city centre during the holiday month of January.
The first Festival took place in 1977 and it has since grown to become one of Australia's largest annual cultural celebrations with an international reputation for modern, popular and intelligent programming. Sydney Festival celebrates our city, and the Festival’s style and energy reflect the confidence, diversity and vigour of one of the world's most beautiful cities.
The Festival has a rich history of bringing the world’s best artists and companies to Sydney stages, and showcasing and nurturing the best of Australia’s homegrown talent.
Many of Australia’s most memorable productions have resulted from Sydney Festival commissions and premieres, including highlights from Cloudstreet (1998) to Black Chicks Talking (2003), Three Furies (2005), uniquely Australian musical The Adventures of Snugglepot & Cuddlepie and Little Ragged Blossom (2007), the outrageous cabaret Smoke and Mirrors (2010), The Secret River (2013), Black Diggers (2014), contemporary circus ensemble Circa’s Humans (2017), multi-award-winner Counting and Cracking (2019) and BLACK TIES (2020).
The buzz of Sydney in January wouldn’t be the same without Festival appearances from major Australian musicians, performers and comedians including Nick Cave and the Bad Seeds, Archie Roach, Ruby Hunter, Gotye, Regurgitator, Emma Donovan, Tex Perkins, Megan Washington, Meow Meow, Christa Hughes, Yana Alana and Celia Pacquola.
World-leading artists and companies that have shared work with Sydney Festival audiences in recent years include Lars Jan and Early Morning Opera’s Joan Didion’s The White Album, performance artist Bryrony Kimmings’ I’m A Phoenix, Bitch, and choral choir Tenebrae (2020); Schaubühne Berlin and Complicité’s Beware of Pity, Ethiopian legend Mulatu Astatke, Neneh Cherry, and American artist Nick Cave’s epic exhibition UNTIL (2019); Wayne McGregor, Olafur Eliasson and Jamie xx’s ballet collaboration Tree of Codes, National Theatre’s Barber Shop Chronicles, The Wooster Group’s The Town Hall Affair, Pussy Riot Theatre’s RIOT DAYS, and DryWrite and Soho Theatre’s hit Fleabag (2018); Complicité’s The Encounter, Cheek By Jowl with Pushkin Theatre’s Measure For Measure (2017); James Thierry’s Tabac Rouge (2015); Sasha Waltz’s underwater dance opera Dido and Aeneas (2014); and Ludger Engels and Vivienne Westwood’s Baroque-punk Semele Walk (2013), to name but a few.
These works join a long roster and legacy of extraordinary work and artists including: Ariane Mnouchkine and Thèâtre du Soleil (Flood Drummers); Robert Wilson (The Black Rider); Robert Lepage (Far Side of the Moon, The Andersen Project, Lipsynch); Nederlands Dans Theater; Philip Glass; Ian McKellen (Dance of Death); Batsheva Dance Company; National Theatre of Scotland (Beautiful Burnout, Black Watch, Aalst); Al Green; Chaka Khan; Andrew Weatherall; AR Rahman; Angélique Kidjo; Kneehigh Theatre (Tristan & Yseult, The Red Shoes); and Fabulous Beast (Rian).
For more information on each Sydney Festival visit our archive.
Festival Director
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Olivia Ansell was announced as the new Festival Director for 2022 by the Sydney Festival Board of Directors in June 2020.
Olivia, a highly accomplished arts professional with over two decades’ experience as a director, choreographer and performing artist, commenced her three-year tenure in November 2020. She comes to the role after two and a half years as Head of Contemporary Performance at Sydney Opera House.
Voted one of Vivid Sydney’s Top 100 Creative Catalysts, Olivia possesses a vast breadth of art experience, including roles as co-Executive Producer and creative force behind the hugely-popular immersive experience Hidden Sydney; Artistic Director of Sydney Comedy Festival at Sydney Town Hall; Curator of Kings Bloody Cross for Vivid Ideas; producer of Richard Walley OAM and Nigel Jamieson’s large-scale concert spectacular, HOME for Perth International Arts Festival; Consultant Executive Producer for OzAsia Festival Adelaide; and inaugural Executive Producer of Shaun Parker & Company. She is also a lecturer in Movement for the Sydney Conservatorium of Music’s Con Opera School.
Since 2017, Olivia has curated and championed a diverse range of maverick storytellers to the Sydney Opera House stage, including Lucy Moss and Toby Marlow’s cult musical SIX; Hofesh Shechter’s critically acclaimed Grand Finale; Lin Manuel Miranda’s In the Heights; A O Lang Pho by Cirque Nouveau du Vietnam; Natalia Osipova and David Hallberg’s Pure Dance and Australian comedian Hannah Gadsby’s hit show, Douglas.
The full announcement can be read here.
Previous directors were:
Wesley Enoch AM 2017–2021
Lieven Bertels: 2013–2016
Lindy Hume: 2010–2012
Fergus Linehan: 2006–2009
Brett Sheehy: 2002–2005
Leo Schofield: 1998–2001
Anthony Steel: 1995–1997
Stephen Hall: 1977–1994
Board of Directors
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PATRON
Her Excellency the Honourable Margaret Beazley AC QC, Governor of New South Wales
David Kirk MBE – Chair
Co-Founder and Chairman, Bailador Technology Investments
David is the Co-Founder and Chairman of Bailador Technology Investments, an ASX-listed investment fund targeting private expansion stage technology companies. David sits on the board of BTI companies Instaclustr, Standard Media Index and Rezdy.
David is Chairman of KMD Brands [ASX:KMD, NZ:KMD], owner of iconic brands Kathmandu, RipCurl and Oboz, and Chairman of Forsyth Barr, a privately-owned New Zealand funds management and investment firm. He is also Chairman of not-for-profits KiwiHarvest, New Zealand Food Network and the New Zealand Rugby Players Association.
David is the former CEO of Fairfax Media. His previous experience also includes a period as an advisor to the Prime Minister of New Zealand. David enjoyed a highly successful rugby career and captained the All Blacks to win the World Cup in 1987. He was awarded an MBE in 1988.
Andrew Cameron AM
Andrew has served on the boards of the Biennale of Sydney, Belvoir, SCAF, ACCA, and Melbourne Art Fair and Foundation. He was Deputy Commissioner for Australia’s presentation at the Venice Biennale, is currently Chair of the Foundation at Art Gallery of New South Wales, Chair of Artspace, and is a member of the International Council of the Tate in London – as well as sitting on the Tate Asia-Pacific Advisory Committee.
He holds the position of Executive Chairman for a group of private businesses and has had previous careers in architecture and merchant banking. In addition, Andrew was made a Member of the Order of Australia in 2014 for significant services to the performing and visual arts.
Paddy Carney
Partner
PwC Australia
Paddy is a member of the Global Board overseeing the PwC international network and chairs its Risk & Operations Committee. She is also a member of the Board of Partners of PwC Australia and chairs its Finance & Operations Committee. She has over 25 years' financial experience with PwC in the UK and Australia advising a broad range of clients with a focus on retail, consumer, hospitality and agribusiness. She is also a Trustee of the Historic Houses Trust of NSW (Sydney Living Museums) and a member of Chief Executive Women.
Angela Clark
Co-Founder & CEO
Wallet Nation
Angela Clark (MAICD) is the Co-Founder and CEO of Wallet Nation a technology services company providing escrow and meditation products for digital assets including cryptocurrency and NFT’s. Previous roles include; CEO of Beem It, Executive General Manager of Small Business Commonwealth Bank of Australia, Director Innovation and Digital Australian Broadcasting Corporation, Managing Director Macquarie Radio Network and Managing Director JCDecaux Australia.
Angela has held Directorships across multiple arts, media and sporting organisations and holds a BA in Politics, Philosophy and Economics from Oxford University, UK.
Darren Dale
Producer
Blackfella Films
Since joining Blackfella Films in 2000 Darren has produced many award-winning factual productions for SBS including the landmark multi-platform history series First Australians, feature documentaries The Tall Man, Deep Water - The Real Story and In My Own Words, two seasons of the Logie Award-winning First Contact, plus the series DNA Nation, How ‘Mad’ Are You? and two seasons of Filthy Rich and Homeless.
In collaboration with acclaimed UK writer Jimmy McGovern, Darren has also produced, with Miranda Dear, two series and a telemovie of the Logie Award and AACTA Award-winning Redfern Now for ABC1. He also produced with Miranda Dear the telemovie Mabo, commissioned by the ABC to commemorate the 20th anniversary of the landmark High Court decision, and the crime drama Deep Water for SBS.
He was Executive Producer on the Logie and AACTA Award winning teen drama series Ready for This for ABC3.
Darren currently serves on the board of the Sydney Film Festival and was previously on the board of Screen NSW and the Council of the Australian Film, Television and Radio School (AFTRS). In 2012 he was the recipient of the prestigious AFTRS Honorary Degree.
Kate Dundas
Non-Executive Director
Kate has enjoyed a career in media, public policy and cultural leadership. She held senior executive roles in the Australian Broadcasting Corporation (ABC) in both corporate and content areas, including five years as Director of ABC Radio. She has also held several senior government roles including Deputy Secretary Arts & Culture in NSW and most recently Executive Director of Performing Arts at the Sydney Opera House. Kate is a mentor for emerging and established leaders, working both independently and with McCarthy Mentoring. Kate is Deputy Chair of the Board of Australia for UNHCR and chairs its Leadership and Nominations Committee. She also currently serves on the NSW Multi Arts and Festivals Board.
Kate has previously served on other boards including the Australian Film, Radio and Television School where she also chaired the Finance, Audit and Risk Committee. She is a Vincent Fairfax Fellow (Centre for Ethical Leadership, University of Melbourne), holds a Bachelor of Arts in Communications (Charles Sturt University) and is a Graduate of the Australian Institute of Company Directors.
Dr Robert Lang
Director
Dr Robert Lang is a leader in city building, community engagement, strategic urban planning, economic development, creating great public places, transport infrastructure, place management, arts, tourism and energy.
He has extensive experience in the public service, gained within a combination of state & local government businesses.
He has a long involvement in the arts, theatre production and direction, music creation and performance, training young people in the performing arts, delivering arts to western Sydney audiences and significant experience in outdoor events.
He has a focus on place making and place development and bringing together the drivers for making great cities. He has a keen interest in the potential of western Sydney to provide business growth & economic development opportunities and the goal of making Sydney a livable city with more jobs closer to home.
As a former CEO for Parramatta City Council he understands local government, knows how to develop a compelling vision for the city and deliver major new city property & infrastructure developments. He brought major new events to Parramatta, implemented a new place-making focus and initiated the Western Sydney Light Rail project.
Dr Lang has a number of interests in the not for profit sector including disability services, affordable housing, education and the arts.
Karen Mundine
CEO Reconciliation Australia
Karen Mundine is from the Bundjalung Nation of northern NSW. As the CEO at Reconciliation Australia, Ms Mundine brings to the role more than 20 years’ experience leading community engagement, public advocacy, communications and social marketing campaigns. Over the course of her career she has been instrumental in some of Australia’s watershed national events including the Apology to the Stolen Generations, Centenary of Federation commemorations, Corroboree 2000 and the 1997 Australian Reconciliation Convention.
Ms Mundine holds a Bachelor of Arts in Communication from the University of Technology Sydney and is a Director of the Gondwana Choirs and the Australian Indigenous Leadership Centre.
Previous roles include Mary Mackillop Board Director, Deputy Chief Executive and General Manager Communication and Engagement, Reconciliation Australia; Senior Consultant, CPR Communications; senior public affairs and communications roles with federal government departments including Prime Minister and Cabinet and Foreign Affairs and Trade.
Contact Us
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If you have any feedback we'd love to hear from you.
Sydney Festival Office Details
Level 5, 10 Hickson Road
The Rocks NSW 2000
Australia
Phone: (+61) 2 8248 6500
Fax: (+61) 2 8248 6599
Email: mail@sydneyfestival.org.au
Ticketing and box office inquiries
Email: ticketing@sydneyfestival.org.au
Volunteering inquiries
Email: volunteer@sydneyfestival.org.au
Work With Us
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Each January Sydney Festival transforms our city, presenting a summer festival of art, music, dance, theatre and immersive experiences. We are proud of our long history of commissioning ground-breaking new Australian art.
The icing on the cake is we're a great place to work with many of the seasonal team returning regularly and a great office vibe. Apart from a fun permanent team that swells to over 100 during the festival, we enjoy killer harbour views, have one of the best coffee machines in the area and know how to put on a party.
Executive Assistant
Full-time & Ongoing
Do you have experience working with a performing arts organisation, venue or festival, in an administration or coordinator role? We'd love to hear from you. This key role forms an integral part of Sydney Festival’s team working with a large range of stakeholders to ensure the overall administration of the organisation is delivered. The job is key in supporting the organisation and its staff to deliver the annual festival.
Tasks include:
- Managing the Executive Director and Festival Director’s offices and activities, including communications, secretarial duties, clerical duties, typing, drafting, letters, filing, travel, accommodation, expenses and hospitality.
- Liaising between the Executive Director, Festival Director and staff as well as external parties to facilitate appointments, meetings, functions and other arrangements.
- Maintaining strong working relationships with the executive offices of the organisation’s major stakeholders including the NSW Arts Minister, Create NSW, City of Sydney, Destination NSW, and City of Parramatta.
- General office administration duties where required including reception, cleaning of the kitchen, handling of mail, booking of couriers, and overseeing the Administration Co-ordinator, currently looking after this area.
- Manage day to day operations of external office services including cleaning, IT support and other ad-hoc building contractors.
Essential Skills & Attributes:
- At least 3 years’ experience working as an Executive Assistant or office coordinator, preferably within the arts industry.
- Experience assisting with Board-related duties including collation of Board papers and minute taking.
- Experience in managing staff and contracted service providers.
- Able to work effectively in a fast-paced and work-intensive environment.
- Excellent communication and administrative skills; written, oral and organisational (including the utmost discretion and diplomatic abilities).
- Keen attention to detail.
View the full position description here
Applications to Nancy Hromin via email with a covering letter that addresses the role requirements to nancyhromin(at)culturezone.com.au Deadline for application is COB, Monday 22 August 2022
Digital Producer
Contract (August - February 2023)
Sydney Festival’s Digital Program forms part of our 2022-26 Strategic Plan and Artistic Vision, to use the digital medium to connect and create a deeper relationships with new and existing audiences. We are looking for a digital native, with excellent project management skills to produce and deliver the 2023 Digital Program. The desirable candidate would have a passion for culture, and an interest in digital technology and multi-media in the performing arts, and wider cultural and entertainment sectors.
We are looking for:
- Demonstrable experience negotiating rights with artists, record/creative companies and publishers.
- Technical knowledge within the digital content space.
- Proven ability and experience in conducting successful daily interactions with artists, creative agencies, broadcasters and clients; including acting as a conduit between artists, clients, key stakeholders and a large, complex arts organisations and/or venues
- Experience in developing and working within project budgets for livestreamed and digital events
- Excellent attention to detail, communication, interpersonal, and relationship management skills
- Ability to work as part of a team, coupled with strong oral and written communication skills
View the full position description here
Please respond in writing responding to the essential skills & attributes, along with your CV, to thomas.hamilton(at)sydneyfestival.org.au Deadline for application is COB, Friday 19 August 2022
Associate Producer
Full-time & Ongoing
Sydney Festival is seeking an experienced arts administrator with excellent attention to detail to join the programming team.
The Associate Producer is responsible for the administration & organisation of program information, and management of efficient and accurate information flow internally and externally.
The role is also responsible for producing projects within the festival program and overseeing the majority of supported works. This is an exciting position for any arts administrator keen to work in a fast pace cultural organisation where hands on producing experience and continued skills growth can be gained
Essential Skills & Attributes:
- Experience working with a performing arts organisation, venue or festival, in an administration or coordinator role (ideally 2+ years)
- Excellent administration, time management and communication skills, with a passion for organisation, systems and deadlines.
- Experience managing multiple projects with conflicting deadlines
- Experience using project management tools and systems that enables the smooth sharing of information.
- Understanding of arts marketing and media requirements.
- Sound understanding of the production department’s role in an arts organisation.
- Team player, with a passion for the Arts, Artists and the Festival experience. Empathy with artists and the artistic processes.
- Comfortable hosting artists across a range of hospitality requirements.
View the full position description here
This role is a full-time position based at the Sydney Festival head office. If this sounds like you, submit your CV and respond in writing responding to the essential skills & attributes, to thomas.hamilton(at)sydneyfestival.org.au Deadline for application is COB, Friday 12 August 2022.
Senior Graphic Designer
Contract
The Graphic Designer is a key player in the implementation of Sydney Festival’s marketing campaigns. The Graphic Designer works with the Graphic Design Manager in the implementation of the overall marketing and promotional strategies and campaigns for Sydney Festival
We are looking for:
- 3+ years’ industry experience.
- Graphic Design or Visual Communication qualification.
- Proficiency in Adobe CS (InDesign, Illustrator, Photoshop) and Microsoft Office on
Mac and PC platform.
- Excellent written and verbal communication skills.
- Ability to work efficiently whilst maintaining an eye for detail.
- Exceptional project management, problem-solving and interpersonal skills.
- Capacity to work effectively in a close-knit team and autonomously.
- Thorough knowledge of all print processes.
- Animation and/or After Effects experience would be advantageous.
- Sound appreciation of the arts and event industry would be advantageous
View the full position description here
This role is a full-time contract position based at the Sydney Festival head office. If this sounds like you, submit your CV and portfolio by email to Matt Sharah at applications(at)sydneyfestival.org.au
You must be available to work full time from 8 August 2022 – 3 February 2023.
Ticketing Systems Assistant
Contract
Sydney Festival is seeking a Ticketing Systems Assistant to provide support to the Ticketing Systems Manager and Customer Services team to ensure the successful delivery of ticketing and customer services for Sydney Festival.
We are looking for:
- Demonstrated expertise and hands-on working knowledge of CRM or ticketing systems, preferably ENTA.
- Strong understanding of ticketing software
- Previous box office experience
- Excellent time-management skills
- Excellent communication skills both verbally and written, particular with broad customer groups
- Strong Microsoft Excel skills
- Capacity to work under pressure.
- Proven attention to detail, including the ability to review and correct own work
- Capacity to work as part of a small busy team.
- Demonstrated ability to adapt and remain flexible in a sometimes challenging environment.
- Ability to make decisions and solve complex problems
- Right to work in Australia
View the full position description here
This role is a full-time contract position based at the Sydney Festival head office.
Applications close at 5pm Friday 12th August and should be sent to tara.easlea[at]sydneyfestival.org.au, please include a cover letter outlining the selection criteria as well as your CV.
Box Office Coordinator
Contract
Sydney Festival runs its own ticketing system and works closely with a number of third party ticketing agencies. We are seeking a Box Office Coordinator to manage the day to day running of the customer service team.
We are looking for:
- Demonstrated expertise and hands-on working knowledge of CRM or ticketing systems, preferably ENTA.
- Strong understanding of ticketing software.
- Previous experience in a supervisory ticketing role.
- Sound office administration skills including experience with Microsoft suite and a methodical approach to record keeping.
- Excellent communication skills both verbally and written, with an emphasis on providing excellent customer service
- Capacity to work under pressure.
- Proven attention to detail, including the ability to review and correct own work
- Capacity to work as part of a small busy team.
- Demonstrated ability to adapt and remain flexible in a sometimes challenging environment.
- Ability to make decisions and solve complex problems.
- Right to work in Australia.
View the full position description here
This role is a full-time contract position based at the Sydney Festival head office.
Applications close at 5pm Friday 12th August and should be sent to tara.easlea[at]sydneyfestival.org.au, please include a cover letter outlining the selection criteria as well as your CV.
Box Office Representative
Contract
Sydney Festival runs its own ticketing system and works closely with a number of third party ticketing agencies. We are seeking a Box Office Representative to provide support to the Ticketing team in the day to day running of external box offices.
We are looking for:
- Previous experience in a ticketing role.
- Excellent communication skills both verbally and written, with an emphasis on providing excellent customer service
- Previous Festival experience would be advantageous.
- Demonstrated hands-on working knowledge of ticketing systems, preferably ENTA.
- Capacity to work under pressure.
- Proven attention to detail, including the ability to review and correct own work
- Capacity to work as part of a small busy team.
- Demonstrated ability to adapt and remain flexible in a sometimes challenging environment.
- Right to work in Australia.
View the full position description here
This role is a casual contract position based at the Sydney Festival head office.
Applicants will need to be available for a minimum of 3 shifts per week between the hours of 8.45am and 5pm, Monday - Friday.
In January, applicants will need to be available for a minimum of 4 shifts per week between the hours of 8am and 10pm, Monday - Sunday.
Applications close at 5pm Friday 19th August and should be sent to tara.easlea[at]sydneyfestival.org.au, please include a cover letter outlining the selection criteria as well as your CV.
Please join our newsletter or keep an eye on Facebook, Twitter and Instagram to be the first to find out when new roles become available.
Media Releases and Enquiries
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Media Releases
Qween Lear Cast Announcement
New Festival Director for 2022-24 Announced
For more information and high-resolution images of Sydney Festival events, contact:
Jadan Carroll
jadan@commonstate.co
Luke McKinnon
luke@commonstate.co
Please note: media enquiries only.
Annual Review
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Corporate Responsiblity
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Disability Inclusion Action Plan
The Sydney Festival Disability Inclusion Action Plan (DIAP) supports the Festival's commitment to welcome everyone in Sydney, regardless of accessibility needs, and provides our organisation with strategic direction in addressing accessibility issues.
Reconciliation Action Plan
Sydney Festival's vision for reconciliation is to formally and informally engage with Aboriginal and Torres Strait Islander artists and communities, and to positively contribute to closing the gap between Indigenous and other Australians.
Download a copy of the Reconciliation Action Plan as a PDF document.
Acknowledgement of Country
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Sydney Festival acknowledges the 29 clans of the Eora Nation, the Traditional Owners of the land on which the Festival takes place.
We pay our respects to Elders past and present, and recognise the continuing connection to lands, waters and communities.
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