All Venues
4A Centre for Contemporary Asian Art
Art Gallery of NSW
Belvoir St Theatre
Campbelltown Arts Centre
City Recital Hall Angel Place
Enmore Theatre
Eugene Goossens Hall at ABC Centre
Hyde Park Barracks Museum, Keystone Festival Bar
Joan Sutherland Performing Arts Centre
Old King's School Site
Parramatta CBD
Riverside Theatres
SBW Stables Theatre
Seymour Centre
State Theatre
Sutherland Entertainment Centre
Sydney CBD
Sydney Harbour
Sydney Opera House
Sydney Theatre at Walsh Bay
Sydney Town Hall
The Concourse Chatswood
The Domain
The Famous Spiegeltent, Honda Festival Garden
The Idolize Spiegeltent
The Jagermeister Hunting Lodge, Honda Festival Garden
Tin Sheds Gallery
University Art Gallery
Wharf 1 and 2, Sydney Theatre Company
$30 and under
$31 - $70
Over $70


Preview: January 15 at 5pm,
January 17 at 8pm
Season: January 18-February 19
Tue at 6.30pm
Wed-Sat at 8.00pm
Wed Jan 25 and Feb 1 at 2pm
Sat at 2pm
Sun at 5pm
1hr 40mins
Senior $52/
Preview $42

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Book Online or 1300 723 038

On sale Nov 9
Past Event
Event Added

Presented by Sydney Festival and Belvoir in association with Carriageworks
Originally created by THE HAYLOFT PROJECT
A Malthouse commission.

Co-written by Simon Stone, Thomas Henning, Chris Ryan and Mark Winter after Seneca 
Directed by Simon Stone

If you mess with the Ancient Greeks, beware a little blood.

In the charnel house of Greek legend one room is forever reserved for that most ferocious of tales - Thyestes, the deposed king whose sons were slaughtered and served as a feast to their unwitting father.

Treating mythological atrocity as contemporary reality, fast-track director Simon Stone (the man behind Belvoir hits The Wild Duck and Neighbourhood Watch) retells this Greco-Roman epic as a series of domestic scenes exploring the mundanity of violence.

Terrifyingly observed, savagely comic and ultimately heartrending, Thyestes is a modern journey through the darkest of legends.

Thyestes contains strong sexual themes and violent references. It is not recommended for people under 18.


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