Indigenous voices from Australia and around the world.
Sydney Festival’s Blak Out program returns in 2019 with a well-rounded selection of theatre, music, dance, classes and art by First Nations writers, performers and artists.
We’ve got everything from the hard-hitting (powerful theatre that addresses suicide and the high murder rate of First Peoples Canadian women) to the straight-up fun (an art installation about skipping culture and classes where you can learn local Sydney language) and all sorts in between.
Explore the 2019 Blak Out program below.
Man With The Iron Neck
Powerful new work by leading physical theatre company Legs On The Wall, about a small town Australian family dealing with trauma and learning how to embrace hope after the trauma of a suicide. Written by, and starring, revered actor Ursula Yovich and co-directed by Josh Bond (Djuki Mala) and Gavin Robins (King Kong, How to Train Your Dragon), this is a moving and tender piece of theatre with jaw-dropping aerial stunts.
Sydney Opera House
Turtle Island (Canadian) company ARTICLE 11 makes theatre that amplifies Indigenous voices, especially those of Canadian First Peoples. Deer Woman is the second piece by ARTICLE 11 to address the tragedy of the high number of Indigenous women and girls who go missing and are murdered in Canada: 2014’s In Spirit was told through the voice of a murdered girl; Deer Woman tells the story of the older sister left behind and her mission of bloody vengeance.
The Weekend: By Henrietta Baird
Talented playwright Henrietta Baird first premiered this play in development at the Yellamundie National First Peoples Playwriting Festival in 2017, and it now makes its debut at Sydney Festival 2019. A story of family, addiction and survival set around the tower blocks of Redfern and Waterloo, it’s about young mum Lara who’s working interstate when her son rings with a crisis: dad’s disappeared and the kids don’t have any food. Lara has only a weekend to get back to Sydney and find their errant father before she has to be back at work.
Yellamundie National First Peoples Playwriting Festival
A biennial celebration of First Peoples playwriting, industry forums and networking opportunities for artists, as well as daily readings of new national and international plays, open to the public. Hear powerful and important new and established Indigenous voices from Australia, Turtle Island (Canada) and Aotearoa (New Zealand).
Lyn Williams, Australia’s leading director of choirs for young people, asked the songwriting team from The Cat Empire, Felix Riebl and Ollie McGill, if they’d like to spend some time in the Pilbara (north WA) and write a song cycle for her choir of young Indigenous women Marliya. Riebl and McGill wrote the album; the likes of Briggs, Emma Donovan and Peter Garrett lent their chops as guest musicians; and you can hear the whole thing performed live at the Sydney Opera House.
Sydney Opera House
CLASSES & PARTICIPATORY EVENTS
Reflect on the impact the First Fleet’s arrival had on Australia’s First People, and hear stories of Country from Elders and musical performances, at this “small ‘p’ political” gathering around a campfire at Barangaroo Reserve, from dusk on 25 January until dawn on 26 January.
Baraya: Sing Up Country
Also taking place during The Vigil is song ceremony Baraya, an opportunity to reforge the songlines of Sydney. Attend a free drop-in workshop to learn the song, and then come down to Barangaroo Reserve on 25 January to perform it with an impromptu choir.
Bayala: Free Language Classes
Want to learn how to speak a few words in the first language of Sydney, and get a fascinating insight into local Indigenous culture? Join a free language class at Sydney Observatory or Prince Alfred Square, Parramatta. In 2019, the classes have a focus on Indigenous knowledge of the stars, astronomy and navigation by the night sky.
12–20 January Prince Alfred Square, Parramatta
Bayala: Three Day Courses
Take your knowledge of local language further with a three-day course at Parramatta Library or UTS. The courses run for 50 minutes each day across three days and cost $45 per person.
Building 8, University of Technology, Sydney
Bayala: Out Of The Vaults: People, Language, Places
A rare opportunity to see treasures from deep inside the vaults of the State Library, as experts open up the coffers and give talks on a rich array of historical images, manuscripts, regalia and maps. How much do you really know about the true history of Sydney and its surrounds?
State Library of NSW
Wiradjuri man Joel Bray performs an honest, sexy and affectingly autobiographical piece of dance-theatre for an intimate, up-close audience of bathrobe clad punters in a hotel suite at the QT Sydney. ArtsHub gave it four stars, calling it "a sophisticated, frank and affecting exploration of self, shame, and self-doubt."
VISUAL ART & INSTALLATIONS
It always was and always will be Aboriginal land – and in case you’re inclined to forget it, during Sydney Festival there’ll be a massive sculpture at Barangaroo Reserve featuring the declaration ALWAYS with a reflective back as you approach it, designed by local Bangarra artist in residence Jacob Nash.
Step inside an architect designed box, with projections on the walls, for a “deep listening” experience curated by ABC Radio’s Daniel Browning, as current and future Elders of the Blacktown Aboriginal community tell stories of Country.
9 January–2 February
Blacktown Showground Precinct
Blood Money Currency Exchange Terminal
If you’re travelling into the Australia of the future, you’re going to need to change your money. Happily, you can visit the Blood Money Currency Exchange Terminal at the MCA, where you can exchange your Australian dollars for Blood Money, aka limited edition currency prints, where the white men and women on Australian notes have been replaced by Indigenous heroes.
Museum of Contemporary Art
The Ropes: Amrita Hepi x Adrian Piper
Bundjulung and Ngapuhi artist and dancer Amrita Hepi’s new video work explores the tradition of skipping as a way of sharing spectrums of the Blak experience as self-expression and cultural celebration. Joining her newly commissioned work will be a retrospective of three video works by American conceptual artist Adrian Piper, which joyfully use dance and music to examine the exchange of cultural knowledge, tradition and inherited trauma, and the role of the body and music in shaping and asserting representations of identity.
11 January–3 March