16 JANUARY–17 APRIL UNSW Galleries
Fractures & Frequencies
Free Event
Fractures & Frequencies
16 JANUARY–17 APRIL UNSW Galleries
Free Event
16 JANUARY–17 APRIL
Fractures & Frequencies
Free Event
MEGAN COPE

This major exhibition brings together recent works by Quandamooka artist Megan Cope that investigate listening practices and extractive industries in Australia.

Untitled (Death Song) 2020 comprises sound sculptures constructed from discarded mining and industrial equipment accompanied by a soundtrack made in collaboration with musician and instrument builder Isha Ram Das. It takes its first note from the haunting cries of the yellow-eyed Bush Stone-curlew. An endangered species within New South Wales, the Bush Stone-curlew is known for its distinctive call, a ghost-like “weer-lo” sound. Heard in chorus and crescendo with other Bush Stone-curlews, the eerie call is often mistaken for a crying baby or wailing woman. Untitled (Death Song) is a meditation on the sound of Country and Gurrell (Curlew) who is also known as a harbinger of death in Quandamooka culture.

The exhibition also features several related projects, including the sound sculpture Old Kahibah 2018, which maps the sound vibrations of Awabakal Country in the Lake Macquarie area which has experienced significant geological alteration from industrial coal extraction.

Venue
Performance Times

UNSW GALLERIES OPENING TIMES
Tue–Sat
from 10am to 5pm

Ticketing and Pricing
Free Event
Accessibility

Visual Content
75% visual content. This exhibition has minimal dialogue, some background music and/or sounds.  

Important Info

Photo: Megan Cope


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